Dr.
Albrecht Dümling,
born
1949 in Wuppertal/Germany, lives as a musicologist and music critic in Berlin.
After studying Music, Musicology, Journalism and German Literature
in Essen, Vienna and Berlin (Carl Dahlhaus), in 1978 he finished his doctoral
dissertation, a interdisciplinary study on Arnold Schönberg and Stefan George.
He presented the first comprehensive book on Bert Brecht’s collaboration with
composers. As a co-founder of the International Hanns Eisler
Society Dümling was instrumental in creating the new Gesamtausgabe, the
complete edition of the musical and literary works of the composer.
After twenty years as
music critic for the Berlin newspaper „Der Tagesspiegel“ (1978-1998), he now
contributes to the “Frankfurter
Allgemeine Zeitung”, “Neue Musik-Zeitung” and several radio programs.
He is also a Honorary Research Associate at the Royal Holloway University
London, a Research Fellow at the Victorian College of the Arts Melbourne and a
member of the Advisory Board of the International Centre for Suppressed Music in
London.
As a Scholar at the Getty
Center for the History of Art and the Humanities he in 1989/90 created the
American version of the exhibition „Entartete Musik. A critical reconstruction
(Düsseldorf 1938/1988)”, which travelled to more than 50 places world-wide (including
the Royal Festival Hall London and the Vienna State Opera). In 2007 he developed
a Spanish version for the University of Sevilla and a new German version for the
Berlin Philharmonic Orchestra.
Since 1990 he is chairman
of „musica reanimata“, Society
for the Promotion of Composers persecuted by the Nazis, which in 2006 was
awarded with the German Critics’ Prize. 1992-99
he served as Project Consultant for the DECCA CD-series „Entartete Musik“.
Following a lecture tour
through this continent he organized a conference “Musical Exile in Australia”
(Dresden 1996). From 2000 to 2003 he continued this research project at the
Technische Universität Berlin (Zentrum für Antisemitismusforschung), sponsored
by the Deutsche Forschungsgemeinschaft. For 2004 he received the Harold White
Fellowship from the National Library of Australia.
For
his activities for the rediscovery of persecuted musicians he was awarded with
the European Cultural Prize KAIROS of the Alfred Toepfer Foundation Hamburg.